Showing posts with label Theo Parrish. Show all posts
Showing posts with label Theo Parrish. Show all posts

Tuesday, 20 September 2022

Five tracks vol. 7


Got nothing but good vibes music to share this week since it's spring and I like the sun. Also, a PSA: I've made a YouTube playlist for everything that's being added here, so if you want to skip the bullshit and just listen to songs, give this thingy a follow why don't you:


OK here are some freshies. 


Tata Vega - I've Got My Second Wind feat. G.C. Cameron



Heard Theo Parrish play what I assume is his own fast, loopy edit of this some years ago and hooo boy it's a good one. Full to the brim with gorgeous vocals from both Tata and Motown dude G.C. Cameron, it's smooth beautiful disco from the top shelf. No idea if Theo's edit was actually released, but you can hear it on his gobsmackingly good final set from Plastic People.


Eon - We'll Go On



Oh goody, it's big, fast, bright, emotional soul from your boys Eon. I so often find myself humming this catchy number to myself, it's just a beaut of a melody. Weirdly these fellas did just the two albums and they're both self-titled - guess they were either super into the name or didn't have much imagination. But they're good boys and this is a great song.


TC James and The Fist O Funk Orchestra - Bumpsie's Whipping Cream (Tom Savarese Remix)



I've never quite understood the niche sector of disco folks who seem to be obsessed with featuring a woman moaning to climax in a song, but that aspect aside this is a fucking belter of a tune. When the bothersome sex noises finally peak and the sax jizzes everywhere it's an absolute dance floor melter. Found this on a comp called The Men In The Glass Booth which has some other quality OG disco re-edits from the likes of Walter Gibbons, Jim Burgess and Francois K, it's worth checking!


Little River Band - It's A Long Way There



Yes hello it's Aussie AOR legends Little River Band. Yes the one that John Farnham was in for a while but not at this point in the mid-70s when they recorded surely their best song, It's A Long Way There. Yes it's got to be up there with the best AOR jams of that era, with great Crosby Stills & Nash-style harmonies, big Doobie Brothers Long Train Runnin' energy and an indulgent amount of classic rock guitar soloing. Yessss I like it.


Michael Franks - When The Cookie Jar Is Empty



I don't like picking just one Michael Franks track to share because he has so much magnificent music in his discography, but oh well. He's an interesting fellow - his lyrics usually have this novelty silliness to them yet the music is pure class. It's smooth loungeroom jazz with a perfect '70s chiller aesthetic that makes excellent background music but shouldn't be discounted as foreground music because he's just really fucking good. Anyway, here's one of the many that I like.

THANKS.

Wednesday, 6 January 2010

It Begins Again...


What a weekend coming up! Friday night (the 8th) is excursion time, popping down to Melbourne to see Special Disco Version and The Juan Maclean at the Royal Melbourne Hotel. There are few things I've been more excited about. Seriously, if you're in the area this is beyond essential. Inspect the flyer and make an easy decision. Up and Down - the flip side of Feels So Good which I still think was a kind of unnecessary edit - was totally one of my favourite tracks of last year and I'm a bit annoyed that I didn't think of it when doing my top 10. The bottom line is that James and Pat (for those who don't know, Special Disco Version is pretty much LCD Mobile Disco) are stupidly talented and have obscenely good record collections. Presumptuous as it may be this early in the game, I'm calling this one as gig of the decade.

Special Disco Version - Up and Down (Beep!) [buy]

Then a quick return to Sydney on the 9th for another Picnic (psychedelic) warehouse party with guest especial Lovefingers. Yes he's partly responsible for Blackdisco along with Lee Douglas and Nitedog. Yes he's the man who runs the aptly named lovefingers.org. Yes he's been on Beats In Space something like FIVE TIMES now. Yes yes yes, he's the man. This most recent mix of his is spectacular, a fab psychedelic jamming vibe to thrash on repeat throughout the summer. Details here.

Lovefingers - Lovefingers Xmas 2009

THEN, depending on whether I'm hospitalised by this stage or not, it's Days Like This on Sunday the 10th. Amongst a ridiculous lineup are people like Theo Parrish, Brennan Green, Lovefingers & Lee Douglas, Quantic, The Swiss, Pepe Bradock, Pivot, and so on and so on. Fuck I'm excited for Theo. I'm crazy for his Ugly Edits records which are reminiscent of Harvey's Black Cock series, although a bit less 'out there' and definitely more suited for the d-floor. Perhaps I just make that association since they both edited The Dells.. Whatever, I like the really classic super-extended approach both take. This festival will be a monster, highly recommended for capping off the weekend in a huge way!

Never Gonna Let U Go (Theo Parrish Re-Edit)

And just because I like posting four tracks at once, here's an old Moxie edit of Street Man which has crept up on my listening charts in the past couple of weeks. Powerful danceable disco. A really awesome record this!

Moxie - Run Disco Run

Commence dangerous intoxication. Happy new year people! 2010 is going to be super duper exciting :)

Tuesday, 8 September 2009

A Flower of Unknown Colour


Sorry about the delayyy, brain has been fried. Dear me.

No clue how I missed this a couple of months ago, I'm horrified i could let ANY In Flagranti track slip past me. This remix of The Glass is just fantastic, nothing less than what I would expect. 20,000 different rhythms bouncing around, hypnotic forever-unresolving chords that keep reeling you in, this is extreme dance material. Play it loud loud loud. Cover the furniture in bubble wrap first.

The Glass - Wanna Be Dancin (In Flagranti Remix) [buy]

A couple of classic edits from a couple of true masters: Theo Parrish and DJ Harvey. Fuck, these are as groovy as you could possibly ask for. My only general complaint about this era of edits is, in my mind, they tend to drag on a little bit. That said, they're still streets ahead of most that are being done 5, 10 or 15 years on. Smooth ultra-hip breaksy jazz funk from Harv'; big bold disco anthem from Theo's Ugly Edits series. Genius!

The Dells - Get On Down (Theo Parrish Re-Edit)

DJ Harvey - Joyous

Just realised I haven't posted this before when I was sure I had. Well, this Light Sounds Dark edits record is a special one to say the least. Amongst some obscure disco cuts, this is my favourite - a cute laid back number with some adorable chirpy vocals and wandering flute. Certainly the most 'normal' of the bunch, the other stuff on this 12 is much more adventurous and out-there. If you can hunt it down it's well worth owning!

Sarr Band - Double Action (Light Sounds Dark Edit) [buy]

Promise I'll be good and post another by the end of the week. In other news, a Disco Delish night is definitely in the works for Sydney so stay alert.